DIWAN

Diwan

Emrany/Köppl/Zacek

The Duke’s Diwan, a laid back place for writer and artist meetings as well as passer-bys interested in art and curiosities on Faisal Street in Downtown Amman is set in one of the old stone houses with high ceilings. 

Diwan, photography by «No Condition is Permanent», Amman 2007

The artists made an interior intervention in the space and were holding an open Diwan every late afternoon during the last 2 weeks of the project. 

Diwan, photography by «No Condition is Permanent», Amman 2007

It became a place for encounters, especially for students of the Theatre and Arts/Design departments of Jordan University, who participated in the performance workshop, conducted by Swiss artists Köppl/Zacek at the Haya Cultural Centre, Amman, during the project. 

All photographies by «No Condition is Permanent», Amman 2007 

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No Condition is Permanent
DIWAN
No Condition is Permanent
The Banquet
The Bench
Call for Job
Counting Years
The Dice
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FEATURED THEME ON CITY SHARING

EL MATAM EL MISH MASRY
by ASUNCION MOLINOS GORDO
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This project is an instrument for common critical analysis to help understand the reasons behind Egyptians’ diminishing …

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LETTERS TO FRITZ AND PAUL
by INAS HALABI
-
The project Letters to Fritz and Paul focuses on the expeditions of the Swiss cousins, lovers and scientists, Fritz and …

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MODERN LEAVES
by SARAH BURGER
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The planned modern city of Brasilia attracted me since a long time. Her defined shape, location and function proceded he …

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CITRACIT
by ADRIEN GUILLET
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Youri Telliug talks with the artist Adrien Guillet about his project Citracit

Youri Telliug - What is Citracit …

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NARRATIONS OF FLIGHTS
by NIGIST GOYTOM
-
In 2013 more than 45 million people have been forced to leave their homes. This amounts to the biggest number of refugees …

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A RUG - POST-ORIENTALISM
by SULAFA HIJAZI
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The on going debate on Arab identity and its (cultural) representation is strongly shaped by Edward Saidʼs formative …

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WAM _ WORLD AGRICULTURAL MUSEUM
by ASUNCION MOLINOS GORDO
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WAM is a site-specific work that uses the historical trope of the cabinet of curiosities to explore the introduction of …

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MORE CONTRIBUTIONS BY THE FOLLOWING

A
Akram Al Halabi ]
Atelier für Sonderaufgaben ]
B
Baggenstos/Rudolf ]
Basam Baroni and Jeremy Beaudry ]
Taysir Batniji ]
Hannes Brunner ]
Sarah Burger ]
C
Francisco Paco Carrascosa ]
D
Dector Dupuy ]
Erik Dettwiler ]
Ala’ Diab ]
Dlungwana & Gumbi ]
E
Egypt - 25th January ]
Sherif El-Azma ]
Shady El-Noshokaty ]
Mohamed Elshahed ]
Fawzy Emrany ]
F
forget 2 forget ]
Abrie Fourie ]
Anselmo Fox ]
G
Lamya Gargash ]
Gaza - scattered mosaic ]
A Gentil Carioca ]
Heiner Goebbels ]
Malak Gomaa ]
Nigist Goytom  ]
Adrien Guillet ]
H
Inas Halabi ]
Here I Stand ]
Sulafa Hijazi ]
I
Saba Innab ]
K
Ulrike Kuschel ]
L
Gabriela Löffel ]
Heinrich Lüber ]
Christin Lahr ]
Mariann Landolt ]
Jason Larkin ]
Björn Larsson ]
Yasser Abdel Latif ]
Emanuel Licha ]
Marcelo Lima ]
M
Made In Musina ]
Laura Martin ]
moddr_ ]
Naeem Mohaiemen ]
Asuncion Molinos Gordo ]
N
Mimi Cherono Ng’ok ]
Rayelle Niemann ]
Thenjiwe Niki Nkosi ]
• No Condition is Permanent •
O
Wouter Osterholt and Elke Uitentuis ]
P
Pilgrimages ]
Silvia Popp ]
R
Youssef Rakha ]
S
Raeda Saadeh ]
Lina Selander ]
Lerato Shadi ]
Bahia Shehab ]
stadt.labor ]
Vassiliea Stylianidou ]
Syria _ files ]
T
Treibsand ]
U
urbaninform ]
V
Laurence Vale ]
Costa Vece ]
W
Lee Wen ]
Z
Margot Zanni ]
Michel Zayat ]

 

INVITED-PROJECTS